Diane Kruger In Talks for The Host

Deadline New York is reporting that Diane Kruger is in negotiations to play the Seeker in the film adaptation of “The Host”.  Diane is known for the National Treasure films and Inglorious Basterds.  The part of the Seeker is essentially the villain of the story as she hunts down Wanderer/Melanie.  It should also be noted that Stephenie Meyer has stated in the past that should she continue “The Host” as a trilogy, the second book in the series would be called “The Seeker” and the third would be “The Soul.”  With the film being credited as the first in a trilogy, this could mean that whomever is cast as the Seeker takes on a larger role in the second film.

The film will star Saoirse Ronan, Max Irons and Jake Abel with Andrew Niccol as the director.  It is set to be released March 29, 2013.

Tell us what you think in the comments.  Can you see Diane as The Seeker?  And how excited are you for this new film trilogy based on Stephenie’s books?

Read more at Deadline New York.

Bella’s Wedding Dress on Bridal Guide Cover and Honeymoon Sweepstakes

Bella’s Wedding Gown is featured on the cover of Bridal Guide in their March/April issue which is now on sale.

This Alfred Angelo gown is authentically styled—from its deep-V neckline in front to the long, tapered sleeves and dramatic, lace-edged, cut-out back. And the best part? You have a chance to not only WIN this fabulous dress but also a 7-night dream honeymoon. Now what could be more exciting or romantic than that? Go to page 101 for all the contest info. As they say, “you never know!’

Check out the sweepstakes here.

Summit and Lionsgate Merger The Marketing Crew Seems to Stay Intact

As you all know we have been following the Summit and Lionsgate merger with great interest. There are two reports today worth noting out of the LA Times and Deadline. The LA Times has more of what we personally consider to be good news. (bolding ours)

Rob Friedman and Patrick Wachsberger, co-chairmen of “Twilight” studio Summit Entertainment, have been named co-chairmen of the motion picture group for Lions Gate, which acquired Summit Jan. 13 for $412.5 million.

In their new jobs, the duo will be in charge of all film production, acquisition, distribution and marketing operations at the combined studio, as well as new home-entertainment releases of theatrical titles. They’ll report directly to Lions Gate Chief Executive Jon Feltheimer.

They are replacing Lions Gate’s current motion picture group president and co-Chief Operating Officer Joe Drake. He will remain on board, however, to oversee the release of the studio’s high-stakes movie “The Hunger Games” on March 23.

People inside Lions Gate not authorized to speak publicly are expecting more changes inside the motion picture group as Friedman and Wachsberger bring over many of their approximately 160 employees from Summit. A significant number of layoffs are expected between the two companies, which are around the corner from each other in Santa Monica. Approximately 500 people work at Lions Gate.

See more on the LA Times

So why in our opinion is this good for us. In looking a Deadline Hollywood stories and commentary as well as our own expereince, Summit despite criticism on a number of issues (we’re not saying they are perfect), is more responsive to fansites than most other movie studios by allowing fan site phone call interviews, red carpet presence, set visits, one-on-one interviews, and fan events. They also have a mastery of social media to a female audience unlike most studios whose efforts are hit or miss at best.

Lionsgate in the past has received heavy criticism from industry professionals and fans for ineffective marketing and a cursory at best knowledge on how fansites function, what their outreach is, the fact that more people visit there than their own movie’s facebook and webpage, and how to appeal to a fanbase (who will be your repeat viewers) vs your newbie viewers.

We personally experienced some of this with the Abduction marketing which was a lot of:
“we are doing this”
“here is your mission now do it”
“we want you all to tweet this item in these exact words today”
“maybe we’ll use one of your questions on a red carpet interview”

Rather than the Summit approach of,
“How can we appeal to your fans?”
“Do you think fans will like this message”
“can we do a phone call with cast members so you can bring the appeal to your audience”

…in other words  in our experience Lionsgate failed to realize that A) we’re not their interns, B) who was an operator of a fansite with reach vs. who was a really peppy fan (who is certainly a valued consumer, but only had 20 followers on Twitter), and C) fansites are their target market each with over 50K daily visitors a day so maybe what we had to say was important. And by “we” I mean a collective group of over 20 people.

So given the announcement of who is traveling over in this merger, previous reports of Lionsgate realizing that summit had the marketing edge, we think this a a good thing for Twilight, AND for you Hunger Games people, it’s a good thing for you too!

EDITED: Official press release here:

SANTA MONICA, Calif., and VANCOUVER, British Columbia, Jan. 20, 2012 /CNW/ – Following Lionsgate’s (NYSE: LGF) acquisition of Summit Entertainment last Friday, the Company has named Summit Co-Chairs Rob Friedman and Patrick Wachsberger as Co-Chairs of Lionsgate’s Motion Picture Group, it was announced today.

Friedman and Wachsberger will oversee all aspects of Lionsgate’s domestic and international feature film acquisition, production and distribution business as well as the home entertainment releases of theatrical feature films.

“Rob and Patrick have built a remarkable organization at Summit, and they possess all the entrepreneurial leadership qualities that define our Lionsgate culture,” said Lionsgate Co-Chairman and Chief Executive Officer Jon Feltheimer and Vice Chairman Michael Burns. “They are two of the most talented motion picture executives in our industry, and they have a history of building successful companies. Their addition to our senior management team should accelerate our continued growth into a global media powerhouse.” Friedman and Wachsberger will report to Feltheimer.

“Given the upcoming March 23 release of HUNGER GAMES, I have asked Joe Drake, who has played such a pivotal role in acquiring, developing and building the franchise, to remain at the Company in order to shepherd the film’s theatrical launch,” continued Feltheimer.

“Jon Feltheimer, Michael Burns and the rest of the Lionsgate team have created one of the most successful and innovative entertainment companies in the world over the past 12 years, and we’re thrilled to marshal all of Lionsgate and Summit’s resources to begin the next chapter in this remarkable growth story,” said Friedman and Wachsberger. “We believe that the feature film slates and home entertainment operations of the combined company will have unparalleled resonance for audiences, creative talent and buyers around the world.”

Friedman and Wachsberger established Summit Entertainment along with Bob Hayward and David Garrett as a worldwide motion picture development, production and distribution studio in 2007 and guided its growth into a leading force in Hollywood. Prior to 2007, Wachsberger, along with partners Hayward and Garrett, created one of the world’s most successful international sales and distribution companies when they took ownership from the Summit Entertainment Group shareholders in November 1993.

The most recent Summit Entertainment quickly established itself by launching the worldwide blockbuster TWILIGHT SAGA franchise, which has already grossed more than $2.5 billion at the worldwide box office, in addition to such hit films as the action comedy RED, the romantic adventure LETTERS TO JULIET, the scifi thriller KNOWING and the Academy Award winning THE HURT LOCKER.

Friedman previously served as Vice Chairman and Chief Operating Officer of the Paramount Motion Picture Group, supervising the release of numerous hit films including the multiple Academy Award winning blockbuster TITANIC. Prior to that, he served as President of Worldwide Advertising and Publicity for Warner Bros., where he was responsible for the release of over 180 movies including such blockbusters as SUPERMAN, BATMAN, BATMAN RETURNS, ACE VENTURA and Academy Award Best Picture winners CHARIOTS OF FIRE, UNFORGIVEN and DRIVING MISS DAISY.

With over 30 years experience in the production, distribution and acquisition business, Wachsberger helped build Summit into one of the world’s most successful international sales and distribution companies.

Prior to serving as Summit International’s CEO since 1993 and more recently also as Co-Chairman of Summit Entertainment, Wachsberger served for six years as President and CEO of Odyssey Entertainment and Odyssey Distribution where he acquired, coproduced and distributed his first acquisition, PELLE THE CONQUEROR, which won the Oscar for Best Foreign Language Film as well as The Palme d’or at Cannes. Wachsberger has also produced Paul Haggis’ IN THE VALLEY OF ELAH, STEP UP, and the Brad Pitt/Angelina Jolie blockbuster MR. & MRS. SMITH, and he has executive produced such films as VANILLA SKY, BAD LIEUTENANT, WRONG TURN, Q & A, and SWITCH.

Would You Want a Twilight TV Show

For her column on Movies.com next week, Laura is going to explore the idea of the Twilight TV show. There’s been lots of reporting on this issue here and around the Internet. In all the frenzy, it seems like one very important aspect has been missed which is fan opinion!

Would the fans want a TV show? If they do want a TV show, what should be the focus? Most sites aren’t asking any in depth questions. So now is your chance to be heard.

So, please vote in the polls below and chime in in the comments to let Laura know if she missed any important aspect on this issue and to explain why you voted the way you did. You may just find yourself quoted in the Movies.com article!

Peter Facinelli Slated To Co-Host Live With Kelly

Peter Facinelli is joining Kelly Ripa as her co-host on Live With Kelly on February 2. Guests include Snooki and JWoww from The Jersey Shore. At the time of this posting, tickets were still available to the show.  See the show’s website for details.

 

Peter Facinelli has been on the show before back when Regis Philbin was the main host as a guest. However, this is Peter’s first time in the co-host chair.

See Elizabeth Reaser Off-Broadway in How I Learned to Drive

Elizabeth Reaser will be appearing in a limited engagement Off-Broadway play called How I Learned To Drive.  Her co-star is Norbert Leo Butz who won the Tony for Dirty Rotten Scoundrels and was the original Fiyero in Wicked.

By Paula Vogel

Directed by Kate Whoriskey

With Norbert Leo Butz & Elizabeth Reaser

2econd Stage Theatre- 305 West 43rd Street (between 8th and 9th Avenues)

Winner of the Pulitzer Prize for Drama, HOW I LEARNED TO DRIVE explores the complex relationship between

Li’l Bit (Elizabeth Reaser) and her Uncle Peck (Norbert Leo Butz), as a series of driving lessons progresses from innocence to something much darker.  Told with surprising wit, Paula Vogel’s acclaimed play is returning to New York City for the first time since its world premiere 15 years ago.

LIMITED ENGAGEMENT! January 24 – March 11 ONLY!

Performance Schedule:*

Tuesdays 7pm | Wednesdays 2pm (beginning February 1)| Wednesdays 8pm |

Thursdays 8pm| Fridays 8pm| Saturdays 2pm & 8pm| Sundays 3pm

*Special 2pm & 7pm performances on Sunday 1/29

Evening performances Wednesday 2/22, Thursday 2/23 & Friday 2/24 at 7pm

No performance on Tuesday 2/14

$49.50 tickets (reg. $75)*

Three Easy Ways to Buy:

ONLINE:  Visit www.2ST.com and enter code PEKO

PHONE: Call 212.246.4422 and mention code PEKO

IN PERSON: Bring a printout of this offer to the 2econd Stage Theatre box office- 305 West 43rd Street (between 8th and 9th Avenues)

**$30 Youth Advance and $18 Student Rush tickets are also available for purchase at the box office.

FOR MORE INFORMATION VISIT www.2ST.com

*Offer valid through 2/12. Blackout dates may apply. All sales are final. Regular service fees apply. $4 processing fee is added to internet orders and $2 for Box Office orders.  All artists/schedules subject to change without notice.  

**One student rush/youth advance ticket per valid ID, full time high school or college students and age 30 & under.

Twilight Parody Musical May Look For Permanent Status

MTV checked out the one-night-only Twilight parody musical that was done for charity.

The show opens much as the “Twilight” movie does, with Bella’s monologue about her impending death followed by the cafeteria scene and the upbeat track “Looking for Something.” (Sample lyrics: “I think I see a Fork stuck in my road,” “We’re standing on the twilight of something good.”) The first act hems closely with its source material, including all the requisite scenes: Edward’s biology class freak-out, Bella’s car accident and the bookstore gang-up. Much of the dialogue comes straight from screenwriter Melissa Rosenberg’s script, too, albeit with much-welcomed embellishments. (Charlie to Bella: “I know it’s awkward starting in the middle of a semester, so I got you a truck!”)

But things take a canon-twisting turn about two-thirds of the way through the first act when Hermione, Ron and Harry show up. Yes, someone got “Harry Potter” in our “Twilight.” Instead of Victoria, James and Laurent, Hogwarts’ finest play the villains here. The meta levels reach 11 when the wizards mistakes Edward for Cedric Diggory. And so it is that Ron tracks Bella down in her old ballet studio and is done in by the Cullen coven, leaving Hermione to avenge the death of her beloved. The first act closes on Bella’s birthday — the surprisingly bloody scene from “New Moon.”

See more on MTV

There is also according to MTV some talk about the show opening permanently off-Broadway. Would you go to see it?

Carter Burwell Talks Robert Pattinson and Mackenzie Foy Duet

Breaking Dawn and Twilight Composer Carter Burwell talked to his local Sag Harbor paper about his creative process and let a Breaking Dawn II tidbit drop.

At what point in the filming process will you come onboard?

Generally, I don’t actually write anything until a film has actually been shot. But, there are some exceptions.

In the movie I’m working on right now, which is “Breaking Dawn: Part II,” they needed Rob Pattinson and the actress who plays his daughter to play piano onscreen. I had to write this duet before they shot the film so they could actually learn the parts. Rob is a musician, so he prides himself on working out the fingering for these correctly.

See more on SagHarbor online

This is unusual for the tight-lipped Burwell who locked his Twitter account after tweeting and following and discovering that people were in fact actually reading what he wrote.

Fandom Flashback: The Twilight Saga Playlists

When I first visited Stephenie Meyer’s website back in 2006, there was one list that caught my attention right away. It was the playlist of songs that she drew inspiration from while writing her book. As a musical person, I understood how much music could mean to a story and was very interested to get deeper into the story based on what I could learn from the music that inspired Stephenie. Some of the songs on the list were familiar, but I must admit to not knowing the majority of the songs named. I didn’t keep up with the music scene other than what is popular on the radio. I like to think that my musical horizons have grown considerably since being introduced to the playlists and movie soundtracks. But back in 2006, I had never even heard of Linkin Park let alone any of their music! I thought it would be interesting to take a look back at the playlists and the impact music has had on the Twilight fandom and vise versa.
MY INTRODUCTION TO THE PLAYLISTS

As I got to know Stephenie and talked to her more and more, she sent me a package of appealing items including several CDs that she burned which had the playlists for all of her current work. Now, keep in mind that at this time only the Twilight playlist was posted on her website. So what she sent me from Twilight was exactly the same. However there are some differences from what she sent me for the other playlists for the books that weren’t even published yet.

Let’s start with New Moon. She included “I Miss You” by Blink 182 on the CD for New Moon. The song was then listed as an alternate when she officially posted the playlist on her website. I’m not sure why, but there were so many alternates that represent how much Bella missed Edward. Perhaps she felt this just fit better lumped in with the rest of the alternates. There were also a few songs added to the final list that she were not included on the list that she sent. Surprisingly, “Sing for Absolution” by Muse as well as “D.O.A.” by Foo Fighters and the rest of the alternate list were not named. To me this shows how her attention to the music of Muse grew and grew the deeper into her story she went. (It also tells me that there are a lot of songs out there about heartbreak, and Stephenie had too many songs to choose from!)

The playlists for Eclipse and Breaking Dawn were where the majority of the changes happened. Eclipse had been written at the time she sent me these CD’s even though it wouldn’t be published for another year and a half, but a contract for Breaking Dawn was still under consideration. Based on the list of songs that she sent me, I believe Stephenie was planning for the possibility that she would have to include the wedding and honeymoon in Eclipse. I think this was her stand by idea has she not been granted the opportunity to write Breaking Dawn. And remember, she had written Forever Dawn by this time, which included the wedding, honeymoon, pregnancy, birth, and transformation of Bella into a vampire.

She sent me two CDs for Eclipse which she called Book 1 and Book 2. She also said Book 2’s list was under heavy construction! The CD for Book 1 did not include “Hamburg Song” by Keane, “Love Me Like You” by The Magic, “Infra-Red” by Placebo, “Yes, Please” by Muse, “It’s a Disaster” by OK Go, or any of the alternates. Again, this could mean that she found more and more songs the longer she worked on the book.

Where it gets really interesting is in the playlist CD for Book 2. I believe this list covers what might have been possible wedding and honeymoon scenes, should it have become necessary. It’s a short CD, the shortest of all the CDs she sent. But it has so many songs that didn’t make it to the final cut for the Breaking Dawn playlist. The first song on the list is “Not For All the Love in the World” by The Thrills. I had never heard the song before, and I fell totally in love with it! I was also surprised it didn’t make the final cut. But if you look at the real playlist, she opened the list with a tongue-in-cheek look at the wedding and the happiness surrounding it. The next song that was cut was “Your Body is a Wonderland” by John Mayer, which obviously suggests a honeymoon scene that takes place in the fade-to-black- moment of the book. “My Very Best” by Elbow was also cut. It’s a Jacob song, in my opinion, given that this playlist doesn’t dwell on the pregnancy. Otherwise it might have had something to do with Edward’s feelings when he thought Bella was going to die. But the most surprising cut for me was a song by Blue October called “She’s My Ride Home.” This song suggests to me a situation with Bella and Edward as vampires living their happily ever after. Again, it’s become one of my favorite Twilight related songs, even if it didn’t make the real playlist.

She did send me seven songs for Midnight Sun, all of which are posted on her playlist except for one. The song “Click Click Boom” by Saliva is listed as the second song on my Midnight Sun CD. Given that there are ten other songs on the official playlist that weren’t on my CD, and the fact that the book isn’t really finished yet, I’d say that any changes to the list shouldn’t be a surprise.
THE IMPACT OF THE PLAYLISTS ON THE ARTISTS

I don’t think anyone anticipated the fact that fans of a book series would become so engrossed in the music that inspired the author. But as it has been proven time and again, Twilight fans are different and a new standard was set. Fans of the saga embraced the artists named on the playlists and became overly supportive.

Bands like Coldplay, Linkin Park, Collective Soul, and Travis did gain some new fans. They weren’t exactly obscure or underground bands, but for those people, like me, who had been stuck in a music rut, it did open some new doors. Linkin Park especially made some headway in popularity for the fact that Stephenie told fans that it was their song “With You” that Bella listened to just after hearing the story of the Cold Ones. Stephenie also informed fans that the song “By Myself” is the soundtrack to the action sequence in Port Angeles. “When I read Twilight, I hear the first beat of this song when Bella glances over her shoulder and sees the men following behind her,” she explains. “Then the scene and the song play out together.” Songs from Linkin Park appear on all of the playlists except for Eclipse.

Blue October is another band that gained attention from being on the playlists. I remember at one point getting an e-mail from Stephenie about having discovered this new band that she felt nearly every song they sang could fit in her playlists. I looked for the e-mail and can’t find it. (Sorry, that was over five years and three computers ago!) But I do remember her telling me about the song “Hate Me” and how much that fit Edward. It surprised me later on that the song was listed as only an alternate. Blue October first appeared on the New Moon playlist, which again points to the fact that Stephenie found them after Twilight was published but before New Moon was published. Her relationship with the band grew so much that she was allowed to listen to some of the unpublished music and in so doing discovered the song “My Never” and said it was the perfect fit for what happens just before Jacob imprints. She even included lead singer Justin Furstenfeld on her four city book tour for Breaking Dawn where he performed the song.


Without question the band that has been impacted the greatest by the inclusion on the playlists is Muse. Stephenie mentioned them in the acknowledgements for New Moon and Eclipse and even dedicated Breaking Dawn to them. Seventeen of their songs appear on the various playlists, making them the most repeated and used band for the saga. They were also included on the Twilight, New Moon, and Eclipse soundtracks by composing three new songs for the films. Stephenie had even held out hopes that Matt Bellamy would write Bella’s lullaby for the film. When the Breaking Dawn soundtrack was announced and Muse was notably absent, fans let their opinions out!

Paige said: As great as this soundtrack seems, the lack of Muse is beyond upsetting. I suppose there’s no hard and fast rule that they must be included, but it’s been a nice way to relate back to the books and Stephenie herself.

Mel said: What?! No Muse? But instead we got stuck with Bruno Mars? Ugh. Besides the fact that there is no Muse, *insert frustrated sigh*, and the appearance of Bruno Mars, *insert disgusted sigh*, the soundtrack looks good.

Fiona said: Disappointed does not even begin to cover it with this track list. Who is their right mind would leave Muse out and replace them with Bruno Mars. I am so furious. Muse inspired so much of the writing of The Twilight Saga and they have been in every soundtrack until now.

Collective Soul, Linkin Park, Death Cab For Cutie, OK Go, and The Killers have all made the important crossover from playlist to soundtrack along with Muse. Likewise, new bands like Paramore and Sleeping at Last have gained tremendous recognition and support for being on the film sound track. One requirement for being on the soundtrack is that the song has to be completely new, which means no songs from the playlists can be on a film soundtrack. The films can still play homage to the playlists by including the bands from the playlists that fans love on the soundtrack. However fans are holding out hopes that not only will Muse be included on the final soundtrack for the saga, but that Blue October, which has never been on any of the film soundtracks, will finally be given a place on the list.
THE IMPACT OF THE PLAYLIST ON OTHER AUTHORS

The way Stephenie Meyer has linked music and reading through her playlists has forever changed the face of YA fiction. It’s seems obvious now to consider that since teens listen to music, bringing music into books will only spark their interest more! But back when I first saw Stephenie’s playlist for Twilight, I considered it a new and original thing to include for a book. It’s almost impossible these days to find an up and coming popular YA writer who doesn’t have a playlist! Readers go looking for them, ask for them, expect them! Cassandra Claire,  Ally Condie, Stephanie Perkins, Myra McEntire, Josephine AngeliniKimberly Derting, and Julie Kagawa all have playlists for their series and books. And when an author doesn’t have an official playlist, fans create them and debate which songs should be included.

Even with all the attention to playlists that comes from other authors, I don’t think any other series has impacted music the way the Twilight Saga has. With each book release in the saga, making the playlist has meant attention and publicity for the bands. Stephenie has mentioned many times that the fame of the saga surprises her. I wonder if she ever thought she would have so much of an impact on music as well.

Now it’s your turn to chime in. We want to know which songs on the playlists have meaning for you. Tell us in the comments if you have discovered a band because of the playlists. Which bands are your favorites? Is there a song you wish Stephenie had included on a list? And which bands from the playlist do you hope make it on the Breaking Dawn Part 2 soundtrack?

Many thanks to Heidi Bennett from Twilight Facebook for the playlist from other authors!

Video: Jackson Rathbone on Young Hollywood Studio

Jackson Rathbone sat down YHS for his second interview.  He talks about Breaking Dawn, travel, and who he would like to have as a co-star.