THERE….ARE…NO…WORDS! Seriously, hilarious. Put down all liquids, or your monitor will be toast.
Twilight Spoof Starring Peter Facinelli
November 25, 2009
EW Interviews The Volturi & The Wolves
November 25, 2009
Dakota Fanning:“ENTERTAINMENT WEEKLY: Where are you right now?
DAKOTA FANNING: I’m at school. I’m hiding from any teacher that would see me on my phone right now. But technically it’s allowed because it’s before school has started.
What’s it like to come back to high school now that the move is out?
That’s my life. That’s what’s normal to me. I don’t really know anything different. I’m really lucky that I get to go to school and have that normal life, whatever that is, and then also get to do what I love to do and be a part of really great projects.
How do you think your classmates will react to the movie?
Most of them have already seen the movie, so they’re very excited about it. I’ll definitely be talking to some people about it today, I’m sure.
What was your reaction when you started hearing the box-office numbers?
I mean, I think that there are so many fans of the book and the movie, and it’s just sort of exciting that so many people went to see it on the first weekend. I know so many people were camping out for days to wait for it. And I think that it’s great that everyone got to see it right when it came out.”
What was it like wearing the red contacts?
Well the more angelic you look, the more unnerving you are as someone wearing those red contact lenses. They really do bring you into that evil character.
What was your most interesting fan encounter?
Italy was something, my favorite fan encounter. We were shooting in a very small space, and we had a film set in this rustic little Tuscan village. Then you brought 5,000 fans into the fold. When they saw us, they were rabid. I was running through the streets. If I didn’t have security, I’d have to run away before I got engulfed. I almost had the shirt pulled off my back and this is someone who hasn’t done anything yet. Rob Pattinson didn’t put his head out all week, because it would’ve got torn off. These guys are just feverish. I don’t think I’ll ever quite parallel that again. It was quite amazing.
What’s next for you?
I have my own production company called Urban Dreams. I want to get scripts for movies I want to do or vehicles to star in or direct. Things are rolling. Something hit me last week—we were doing some promos at a Nordstrom. Me and Bronson [Pelletier, a fellow wolf] were riding in a limo, going through Laurel Canyon, on Mulholland Drive. The sun was setting and a really cool song was playing on the radio. We rolled down the window and were like, ‘Wow, this is a good life. I can’t believe we’re in f—ing New Moon.’”
Alex Meraz click for more
New Moon Costumes
November 25, 2009
MTV’s Hollywood Crush talked to costume designer Tish Monaghan about her concept for New Moon. Tish covers everyone in the three-part MTV series.
DASHING EDWARD
“This is the most important costume [for Edward] because it’s the last thing Bella remembers him in,” the costumer said of Robert Pattinson’s suit. “We had to be very careful about choosing something that was absolutely right because he has to spend almost the whole film in it.” So, instead of buying one, Tish created her own suit out of a grey tweed with blue and orange flecks in it. “I wanted old world fabric to match with his heritage. I also wanted something that had texture and that would be able to age.” That’s right, there were six copies of this ensemble made in order for Robert to wear it continuously and in many different elements (i.e. in the ocean during Bella’s cliff dive!). Kristen is wearing a custom made jacket that was replicated from the one she wore in “Twilight.”
JACKED UP JACOB
When the werewolf wasn’t shirtless, Tish says she outfitted him in Banana Republic and GAP t-shirts because “they fit really well and they had a little bit of stretch to them.” And if the site of Taylor’s bulging biceps had your hearts pumping, that was intentional. “We tailored his t-shirts so they showed off his muscles,” she explained. “We specifically made his shirts a little tighter, a little shorter and the sleeves a little bit too short, like he was growing out of them.”
The Volturi
BECOMING JANE
“In my mind, I was envisioning a sweet/evil Little Red Riding Hood,” Tish said of dressing Dakota Fanning as Jane. “There were no specifics in the script given to the time period that she emerged from. I just chose to go after a Victorian look from the 1880s to 1900s.” It was Chris Weitz’s idea, however, to attach the extra cape to Jane’s custom-made wool grey hooded coat — a piece that was over-dyed to make it more black “because she is one of the most powerful of the group.” Paired with Dakota’s outer garb was an off-white Philip Lim dress (that we never see) and Mary Jane shoes by Camper.
New Moon By The Numbers
November 25, 2009
Here’s the latest analysis of the Box Office numbers and what it all means. According to Box Office Mojo New Moon is in the number 12 position with a domestic earning of $153,345,623.
As our favorite number’s analyst Larry Richman points out:
“Monday’s box office numbers are in. The Twilight Saga: New Moon took in another $10,506,486 from 4024 locations, with a per theater average of $2611. This increases the film’s domestic total to $153.3M and was the 14th highest grossing non-holiday Monday for any film, 4th highest since July 2008. This also places New Moon in sixth place on the all-time list of the first four days of wide release whenever they occurred, not just weekends. The current worldwide total, adding in $132.1M from overseas markets, is $285.4M.”
Once the Tuesday numbers are in later this afternoon, it’s our opinion that New Moon should easily overtake The Fast and the Furious for the number 11 position and quite possibly land in the top ten by unseating The Proposal as well.
Regardless of the Tuesday numbers, we are going into the Thanksgiving weekend movie crunch. Most high schools are getting out early today and where are those kids going? Answer: the mall to the movies. So the Wednesday number is going to be huge as well, and that’s not even counting what will happen this weekend, or for that matter what will happen with the 20+ crowd’s movie going habits.
The other advantage to the New Moon tally is that it is running largely unchallenged by other films. It’s nearest competitors are The Blind Side, 2012, and A Christmas Carol. Given the themes of those movies, it’s our opinion that New Moon might lose out a bit to the Blind Side, but it’s more the case of people seeing The Blind Side (or any other movie for that matter) AND New Moon. Let’s face it, for most people it’s a five day weekend. Many are going to get in two films, and New Moon is going to be one of them.
So, by the end of the weekend, we are thinking that conservatively New Moon should be in the number 8 position knocking at the backdoor of Ice Age and Monsters & Aliens that hold the number 7 and 6 postions (just a hair’s breath apart) respectively.
The real challenge is going to be to see if New Moon can advance beyond Star Trek to garner a postion in the coveted top 5 or higher. Our original prediction was that New Moon would land in the number 5 position. We are thinking that our guess may be low. Only time will tell.
EDITED 2:00pm est: We did it. We are the number 10 film of the year. The domestic total through Tuesday’s sales is $164.8 million.
What Does Twilight Mean For an Indie Studio?
November 25, 2009
Summit Entertainment isn’t Warner Brothers, New Line, Disney or an other mega-conglomerate movie studio. It’s got it’s good an bad side. Good side is (like Chris Weitz mentioned) the studio really knows the material and wants it to be true to source. They aren’t churning out a zillion projects a year where quality is lost to quantity. On the other hand, small studio means less people all doing triple duty on everything from PR to rights acquisition. There’s no one to fall back on in the crunch time. So what does having a blockbuster like the Twilight Saga mean for Summit? The LA Times explores the issues of indie success.
“Summit’s runaway success with “Twilight” is a very big deal, since — like ’em or not — franchises provide the building blocks for the modern movie business. With them, a studio has the money in the bank (as well as the blockbuster in the can) to help survive a lean year or a couple of costly flops. You never see any of the top execs at Warners crawling out on a high ledge, preparing to jump when the studio is pulverized by a disaster like “Poseidon” or “Speed Racer” or “Body of Lies.” That’s because Warners always has another “Harry Potter” or “Batman” saga sitting on the pad, preparing to launch into the box-office stratosphere. Ditto for Sony with “Spider-Man,” Paramount with “Star Trek” or Disney with “Pirates of the Caribbean.”
Aced Interviews Kiowa Gordon and Alex Meraz
November 25, 2009
“When you work with computer generated images (CGI) as they have to do to bring the werewolves to life, you really don’t see the results of their work until you see the completed film. What was it like working with CGI?
Alex: Working with so much CGI really worried me. We know with big-budget films there is always lots of CG going on, so the actors can be treated like objects you know … like stand here and don’t move … and everything else happens around you, and you don’t really know what you are doing. But, Chris brought in an amazing special effects team that he worked with on Golden Compass, so it was really incredible, and an organically involved process. I have a transformation scene where I try to kill Kristen’s character, and I get into a fight with Taylor’s character. They showed me a composite of what it was going to look like on the laptop so I could imagine it — it gave me really good references.”
Kiowa: Well in the actual making of the scene he just kind of huffs and puffs and then jumps out of the scene, and we are working with a cardboard cut out of a wolf, and we have to pretend it is this big ferocious beast”
Twilight Saga Stars Other Projects on the Horizon
November 25, 2009
So out of these, which one are you looking forward to the most?
Jackson Rathbone in Dread.
“Rathbone describes Dread as a Kinsey-esque study of fear. “It has those base elements: What are you afraid of? Why are those urban legends urban legends? Why are they told over and over again? Because, those ideas are scary. There have been many documented cases of a complete stranger murdering many people and getting away with it and no one ever knowing why. It’s very rare that you’ll find a film or a piece of literature that delves into the mind of someone that’s been affected by that and what they do to get over it. We all have something in our lives that causes that dread, that inspired it and that’s kind of what we’re trying to get to the root of in this film. Barker’s story did it with such lyrical prose. It’s just beautiful and the imagery is haunting, it really is. We filmed scenes that just made a lot of people sick. Not just because of the gruesome element, but the idea of those situations where you’re like, ‘Yeah, if I was in that situation what would I do?’ And you know what you do a lot of times and you just wouldn’t ever want to think about it.”
Anna Kendrick in Up In The Air
“Q: What did you enjoy most about your character, Natalie?
Anna: I love that she’s unapologetically ambitious. I don’t have that and I wouldn’t really want that for myself, but I admire it so much, in her. I love that she’s independent and strong. I know that the audience really falls for her, after she completely melts down, and I love her even when she’s in her bratty mode. There was almost a desire for me to not show as much as Jason [Reitman] wanted me to show, and keep her protected and not give as much away because I feel protective of her and I wanted her to maintain her dignity. I love her, even when she’s a nightmare… I think she’s a control freak, and I think I’m a control freak, but we react to being out of our element in very different ways. I get more awkward and I fumble and things immediately fall apart. And, Natalie’s rigidity and self-awareness increases exponentially, when she feels out of control. She tries to cling to anything that she can control or keep orderly, whether it’s her hair or her computer. It makes for some very interesting comedy.”
Robert Pattinson in Remember Me.
Kristen Stewart in The Yellow Hankerchief
CNN: Why Vampire Romance Works
November 25, 2009
CNN interviewed various vampire romance writers, known in the industry as paranormal romance writers, as to why vampire novels are on the upsurge, and what exactly is it that resonates. The Lex admin team members are all big JR Ward fans in addition to Twilight fans (not that we all flew to a remote area in Kentucky in full costume on Mother’s Day for a JR Ward signing or anything like that.) And we know that a lot of members of our forums are Harris, Ward, Rice, etc. fans. So just what is the appeal?
“Heather Graham (not the actress) has written vampire novels under both her name and her pseudonym, Shannon Drake.
Graham said she enjoys the creativity that comes with creating romances with vampires as the main characters.
“There is total freedom,” said Graham. “The only rules are once you make any, you then have to stick to them.”
Graham, whose book “Dust to Dust” melds two frightening topics as vampires seek to save Earth from the 2012 end of the world prophecy, said life can be fraught with lots of anxiety.
Vampire romances are a good escape from that, she said.
“You get to have something sexy, something edgy and something that is scary, but outside the realm of our everyday scary,” Graham said.
Ward said women gravitate toward vampire heartthrobs because the vampires are “always in 3-D.”
“They are deadly, they are dangerous and they are desirable,” Ward said. “Big, bad, sexy and lethal, but redeemable is a great setup for a romantic hero.”
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