More video worth watching that got buried in last week’s onslaught and Thanksgiving!
Spoof Video: Robert Pattison, Taylor Lautner, Kristen Stewart, Bill Condon, Stephenie Meyer Say Happy Thanksgiving
We made this video the other day, but the service was backlogged and we didn’t get it until five minutes ago. Still, we figured you all might enjoy our moment of Thanksgiving silliness!
There are so many videos out there right now. Here’s a six minute one with director Bill Condon. The best part kicks in at the 4:00 mark and proceeds from there. He specifically goes into the details of Kristen Stewart’s dedication.
We can’t embed the video, but you can find it here.
It’s never easy being the fourth guy to entire a franchise. It’s even less easy when everything that can go wrong does go wrong on the first week of filming. Robert Pattinson talks about his level of respect for Bill Condon in the face of adversity. The funny part is that Rob leaves out the fact that they were trapped on the Isle Esme set an extra day w/ no electricity and no way off when a storm kicked up.
“It’s very easy to become cynical about stuff, especially where you are doing five movies in the series,” Pattinson said. “It’s a very sentimental story in a lot of ways, and I’m an incredibly cynical person. Bill would always have a great explanation for why it’s not ridiculous and it’s not corny. It was great to have someone on set who could convince me of those things.”
Pattinson said that from the beginning, the shoot was a challenge. The six-month filming schedule for both parts of “Breaking Dawn” kicked off in Brazil, where Pattinson said “everything went wrong.”
“Just the fact that he didn’t get overwhelmed within two seconds was a big deal,” Pattinson said of Condon. “We were in Rio [de Janeiro] for one day. Two cameras broke down, a crane broke down and everything was crazy. There was no crowd control, and he stayed perfectly calm. Bill was really thrown in the deep end, and we came up with really nice stuff. It was really pretty and nice.”
See more on the LA Times
Funny discussion on what each is afraid of about 2 minutes in and then another series of typical Rob humor
In a unique and rare combo of director and writer perspective, Melissa Rosenberg and Bill Condon cover the behind the scenes decisions of the two movies. Yes we know there is a lot of video here, but it’s really not to be missed stuff! Nice details on the current and upcoming movie!
The other day we featured the best of the actor red carpet interviews. Now we are delivering the best of Bill Condon, at least in our opinion. (Note some are from the press junket that have only just been released)
3:30 mark in this video, but the Wyck Godfrey comments are worth the watch
In an interview with About.com, Director Bill Condon address what it was like shooting two films at once ans well as why we took on this project.
You shoot both parts at the same time. What does that do in your mind as a director trying to figure out and concentrate scene to scene, how do you handle that?
Bill Condon: “I think it’s typical of any movie, honestly.”
But this was two movies shot together.
Bill Condon: “Not really. It’s one movie that’s a really long, very long 250-page script. I mean, the break…it just continues, you know what I mean? It wasn’t as complicated as you might think. Harder for Kristen, I think, who had to be vampire in the morning and teenage girl at night. I don’t know. I found it a very typical kind of movie experience.”
Why did you even want to take this on in the first place?
Bill Condon: [Laughing] “That’s a tough one. A lot of reasons. I started out in horror movies. I wanted to do one again. I wanted to do something in the genre. Even the romantic melodrama aspect of it really appealed to me. I liked the book a lot. I think I liked the idea that there was this relationship with the audience and that there are people who are so into it. I think that was a big, big draw.”
Laura from the Lexicon as well as several other fansite reps were invited to see a few bits of the film and talks to Bill Condon last summer. Condon mentions this is in the interview.
Did you have to deal with many fans on the set for this one?
Bill Condon: “I did. I had little interchanges with them, and then you get so busy, it’s like you don’t have that much time to check in on all that. But we had a set visit I believe. Certainly in the editing room, it was a great day when the major blogs came in. That was fun.”
Did they give you any input?
Bill Condon: “They did actually! Someone caught a misspelling on the invitation, which I won’t tell you about, that not even Stephenie Meyer had seen. So that was cool. It was interesting. It was impressive because they were completely like hawks and they could see everything.”
Read more at About.com
First up is an chat with Bill Condon about working with the actors and the melodrama of Breaking Dawn.
Can you think of some examples where the cast gave you some insight into their characters?
All the time. Right from the beginning. The first people who arrived were Kristen, Rob and Taylor. We spent two weeks together in a room, just talking through the script – every page of the script. I learned a tremendous amount. At a certain point, when an actor takes on a role, they know it better than you ever could. Certainly, that was true here. I met with Rob a couple months before we started. We were just having a general talk about Twilight and he mentioned something that I hadn’t known before, which was that in the first three movies, he was sort of playing a man filled with more than regret – almost self-loathing – because of an episode where he had broken away from the Cullen family when he was very young. It was the early 1930s in Chicago, and he decided to explore what it would be like to kill human beings. It was a guilt that weighed on him. He had been playing that through three movies but it was barely mentioned in those movies. It is mentioned briefly in the novels, but there is an unpublished novel called Midnight Sun, which tells the story from Edward’s point-of-view, where it is really explored. So after that conversation, I went back and worked with Melissa [Rosenberg, the screenwriter] and we put that in at the beginning of the movie so you sort of understood where Edward was coming from, and you can see him shed that because the person he cares about most sees that, understands that, and accepts him anyway, so he is able to accept himself. So much stuff comes out of working with the actors. Stephanie [Meyer, author of the novel] was around which was incredible. Before she was there during prep, we would frantically be checking Twilight fan sites because they had better timelines than anyone else. But Stephanie really… any question you had about behavior or backstory – which any actor relies on – she was there to help us out.
They talked with Wyck Godfrey, Melissa Rosengerg, and Stephenie Meyer about adapting a book into a movie.
What do you say to critics who suggest that the sexual and gender politics in Twilight are, at best, retrograde?
Stephenie: The politics are something I never think about when writing. It’s about a story that’s interesting to me. I’m not gonna say Breaking Dawn doesn’t get weird – cause it does. But these are things that, as I was exploring what it means and what it meant to be a woman – particularly being a mother – with Bella, these are things that had to, out of necessity, happen to her very young. I have always been really fascinated with the idea that, 100 years ago, if you were going to have a baby, you would literally say, “I could die. I am taking my life into my hands to do this.” There is a courage to that that we don’t have to develop. I was fascinated with that kind of woman, the woman who makes that choice to risk her life. It’s like being a soldier. It was never about the politics; it was about how, as a person, you would deal with these different things.
They spoke to Taylor Lautner about growing up in the saga and his memorable moments.
What about the imprint scene, where Jacob imprints on Bella’s newborn baby?
You had to go there. That was tough. What is imprinting? What do you look like when you imprint? Luckily, we had Stephanie [Meyers, author of the book series] on set the whole time. Trust me, I asked her a million times, “Okay, tell me again what imprinting is exactly” and “How did you envision Jacob doing that?” It was very confusing. It didn’t help that when we filmed it, they put an X on the wall and said, “This is Renesmee. You are going to walk into the room, you are going to look at the X, and you are going to imprint.” It was tough. But after seeing the final version, I am happy with it. It’s emotional and they did a really good job bringing in cool flashbacks and voiceovers. It really is a special moment but on the day, it was a leap of faith.
Robert discusses the growth of Edward’s character and filming the birth scene.
Director Bill Condon mentioned that there was this self-loathing that you told him you had been playing with for the first three movies, that had never really been presented as a plot element.
Yeah. I thought that would be the key ingredient to Edward’s character. He’s 108 years old, but he’s never achieved anything he wanted to achieve. He’s been stuck in adolescence. When you are in adolescence, you think nothing is fair – he’s been living with that for 100 years. You’d eventually get to the point of desperation. It is very difficult to portray that and a love story at the same time, unless you want to make a very different movie. So I was trying to push for that angle. Breaking Dawn is probably the happiest Edward has ever been in the whole series.
Read the full interviews here:
Clevver TV asked both Rob and Taylor what other character they would want to play in the saga. Bill gives some interesting behind the scenes details about the birth scene and how hard Kristen worked to deliver that performance. No pun intended.