Collider Interviews David Slade for the Eclipse DVD Release

David SladesetAs usual there is great stuff over at Collider. Christina Radish, who used to be at IESB, is now over at Collider. Christina has always provided great Twilight coverage no matter what site she works for:

“Earlier today, Collider had the opportunity to do an exclusive interview with director David Slade, in which he talked about all of the special features and extras that even the most hardcore fans are sure to enjoy, how every aspect of making the film was daunting, that one of his favorite scenes was the kitchen scene between Bella (Kristen Stewart) and Charlie (Billy Burke), and how he doesn’t judge a film by it’s financial or critical success, but rather how closely it achieves his original vision. He also said that he’s currently narrowing down what he’s going to be working on next, and that all of his choices are very different from his previous work.

Question: What will fans get most excited about, in regard to the special features and extras that you’ve selected for this DVD?

DAVID SLADE: You know, I don’t know. That’s bad. I made the film and haven’t even seen these things, except to approve them. What I will say is that I think it’s a point worth making that, for a film like this, because of the fan base, I liken it to a subculture. It’s not quite punk rock, but it’s a fan culture, like Star Wars fans. It’s a positive thing and I’ve always been very, very supportive of fan cultures. I’m a fan of all kinds of things. With a DVD, you want something you can own, you can watch, you can come to grips with and you can explore. It’s something larger than the film, when it’s going out to a fan base like this. So, I guess that’s my answer. I hope that they like all of it.

The thing that I remember doing myself is the commentary on the deleted scenes. I don’t do commentaries on films because A) I’m not very good at it and B) it’s an odd thing that I discovered, on my first film, that you go through this really intense experience of making a film and then you sit in a little room with a monitor and you reduce the thing to a bunch of silly anecdotes. It’s really unfulfilling and I’ve never really enjoyed listening to them anyway, so I just don’t do them. I’ve made a point, since then, of not doing them.

But, one of the things I thought was important, particularly because of this fan base and because of how much stock they put into the stories, was just to talk about the stuff we took out – that we shot and we didn’t put in – and the reasoning behind it. I felt it needed a bit of justification. There were some scenes that I actually really liked and would like to have put them in. And who knows? They may be favorites of people within the fan cultures. Film becomes a living organism. After awhile, it begins to tell you what it needs and you’re usually best listening.”

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